Taking Up Serpents
Kamala Sankaram, Composer • Jerre Dye, Librettist
Reorchestration by Ben Foskett
Chamber Orchestration Commissioned by Opera Parallèle
Presented in collaboration with YBCA
Approximately 75 minutes without intermission;
Sung in English with English supertitles
Need help with tickets? Contact Z Space Box Office at 415.626.0453 x104 or boxoffice@zspace.org
TICKETS ON SALE NOVEMBER 2026
Dates:
Saturday, May 8, 2027 at 7:30 p.m.
Sunday, May 9, 2027 at 2 p.m.
Wednesday, May 12, 2027 at 7:30 p.m.
Thursday, May 13, 2027 at 7:30 p.m.
Saturday, May 15, 2027 at 7:30 p.m.
Sunday, May 16, 2027 at 2 p.m.
Tickets start at $50
Venue: Z Space
450 Florida Street, San Francisco
Every family has its gospel.
Making its West Coast debut, Taking Up Serpents is a gripping chamber opera that explores faith, family, morality, and the pull of destiny through an electrifying, folk-inspired score by acclaimed Indian American composer Kamala Sankaram—hailed by The Washington Post as "one of the most exciting composers in the country"—and an original libretto by Jerre Dye, inspired by his family's roots in the American South.
When an unexpected call forces 25-year-old Kayla to return to the world she thought she had left behind, she finds her estranged father — a fire-and-brimstone preacher — dangerously bitten by one of his own snakes. As buried wounds resurface and long-held convictions collide, Taking Up Serpents becomes a deeply felt story of reconciliation, identity, and the enduring power of belief.
Following acclaimed productions at Washington National Opera, the Glimmerglass Festival, and Chicago Opera Theater, this powerful work comes to Opera Parallèle in a striking new production directed and conceived by Brian Staufenbiel. Nicole Paiement conducts the new, final version of this exhilarating score.
Cast & Creatives
Cast

Matthew Worth
Daddy

Christabel Nunoo
Kayla

Aisha Campbell
Nelda

Carmen Voskuhl
Reba/Ensemble

Phoebe Chee
Customer/Ensemble

Jonathan (JJ) Trimble
Bus Driver/Ensemble
Composer & Librettist

Kamala Sankaram
Composer

Jerre Dye
Librettist
Artistic + Production

Nicole Paiement
Conductor
View Bio
Conductor, Nicole Paiement is the Founder and General & Artistic Director of Opera Parallèle (OP). Recently for OP, Paiement conducted Glass’ La Belle et la Bête and Everest: An Immersive Experience by Talbot, a work she originally premiered on stage at The Dallas Opera, where she is Principal Guest Conductor. An active guest conductor, Paiement has performed with companies including the Washington National Opera, Seattle Opera, Lyric Opera of Chicago and The Atlanta Opera. In 2020 Paiement made her debut with L’Opéra de Montréal with Benjamin’s Written on Skin, returning in 2023 to conduct Golijov’s Ainadamar. This season Paiement also made her UK debut with the English National Opera conducting Heggie’s It’s a Wonderful Life, and conducted a series of concerts with the Orchestra Sinfonica Siciliana in Palermo, Italy. Upcoming engagements include a return to London to conduct Talbot’s Everest with the BBC Symphony at the Barbican Center. The 2023/2024 season will include 2 world premieres with OP, a return to The Dallas Opera, followed by a debut with the Volksoper Vienna conducting both a symphonic concert and an opera by John Adams. Photo Credit: Cory Weaver

Brian Staufenbiel
Director
View Bio
Brian Staufenbiel is the creative director for Opera Parallèle where he has directed and spearheaded the conceptual designs of the company’s productions since it was founded in 2010. Specializing in multimedia, immersive, and interdisciplinary productions, he actively works across a wide range of artistic disciplines collaborating in film and with media designers, choreographers and dancers, circus and fabric artists, and designer fabricators. His progressive approach to stagecraft has garnered critical acclaim for many of the company’s productions, including Wozzeck, Orphée, Champion and Dead Man Walking. Most recently he finished the Cocteau Trilogy with Opera Parallèle’s acclaimed production of La Belle et la Bête, and the first fully immersive opera experience of Talbot and Scheer’s Everest. On film Staufenbiel recently directed pieces for the online festival season of the Sun Valley Music Festival, a film of Dove/Angelis’ Flight for Seattle Opera, a graphic novel opera film of Talbot/Scheer’s Everest with Opera Parallèle, and a feature length film of Gordon Getty’s opera Goodbye, Mr. Chips. Upcoming film projects include a documentary about the life of Frederica von Stade with Paper Wings Films, and Out of the Darkness, a dance film about Japanese incarceration camps in the United States during World War II. Staufenbiel recently directed Golijov/Hwang’s Ainadamar at L’Opéra de Montréal which will be reprised at Victoria Opera next season. Other upcoming directing engagements include Das Rheingold for Seattle Opera and Calgary Opera and The Shining for Atlanta opera. Photo Credit: Cory Weaver.

Jacquelyn Scott
Scenic Designer

Jessica Drayton
Lighting Designer

Y. Sharon Peng
Wigs & Make Up Designer

Jaco Wong
Principal Assistant Conductor
Creative Compass
Explore the poetry, music, and cultural touchstones that inspired Artistic Director Nicole Paiement to bring this work to the Opera Parallèle stage.
Ellen Bass: For my Daughter on her Twenty-First Birthday
When they laid you in the crook
of my arms like a bouquet and I looked
into your eyes, dark bits of evening sky,
I thought, of course this is you,
like a person who has never seen the sea
can recognize it instantly.
Read More
They pulled you from me like a cork
and all the love flowed out. I adored you
with the squandering passion of spring
that shoots green from every pore.
You dug me out like a well. You lit
the deadwood of my heart. You pinned me
to the earth with the points of stars.
I was sure that kind of love would be
enough. I thought I was your mother.
How could I have known that over and over
you would crack the sky like lightning,
illuminating all my fears, my weaknesses, my sins.
Massive the burden this flesh
must learn to bear, like mules of love.