World Premiere
Salt & Spirit
An Operatic Experience Rooted in Gullah-Geechee Spirituals
Co-Created by Victor Ryan Robertson and Brian Staufenbiel
Saturday, November 14, 2026 at 7:30pm
Sunday, November 15, 2026 at 3 p.m.
Thursday, November 19, 2026 at 7:30 p.m.
Saturday, November 21, 2026 at 7:30 p.m.
Venue: Z Space, 450 Florida Street, San Francisco
Approx. 60 minutes without intermission; sung in English
Pre-show talks 60 minutes before each performance
General Admission $70
Youth/Community Access $40
Pay it Forward $113
Venue:
Z Space, 450 Florida Street, San Francisco
Need help with tickets? Contact
Z Space Box Office at 415.626.0453 x104 or boxoffice@zspace.org
What do we carry from those who came before us?
Opening Opera Parallèle's 17th season, Salt & Spirit is a powerful world premiere inspired by the enduring musical traditions of the Gullah-Geechee people of the Carolinas. Rooted in a rare collection of nineteenth-century spirituals and reimagined through vibrant contemporary arrangements that blend classical, jazz, and traditional influences, Salt & Spirit is an unforgettable theatrical experience.
Co-created by acclaimed tenor Victor Ryan Robertson and Opera Parallèle Creative Director Brian Staufenbiel, Salt & Spirit celebrates a culture whose songs preserve memory, identity, and hope across generations. More than a performance, it is an act of remembrance—revealing how music can safeguard history, strengthen community, and carry stories that refuse to be forgotten.
Rich with soaring voices, evocative imagery, and spoken word, Salt & Spirit honors the resilience of the Gullah-Geechee people while inviting audiences to reflect on the legacies we inherit and the stories we choose to pass forward.
Creative Team

Victor Ryan Robertson
Original Concept, Tenor

Brian Staufenbiel
Stage Director & Production Design
View Bio
Brian Staufenbiel is the creative director for Opera Parallèle where he has directed and spearheaded the conceptual designs of the company’s productions since it was founded in 2010. Specializing in multimedia, immersive, and interdisciplinary productions, he actively works across a wide range of artistic disciplines collaborating in film and with media designers, choreographers and dancers, circus and fabric artists, and designer fabricators. His progressive approach to stagecraft has garnered critical acclaim for many of the company’s productions, including Wozzeck, Orphée, Champion and Dead Man Walking. Most recently he finished the Cocteau Trilogy with Opera Parallèle’s acclaimed production of La Belle et la Bête, and the first fully immersive opera experience of Talbot and Scheer’s Everest. On film Staufenbiel recently directed pieces for the online festival season of the Sun Valley Music Festival, a film of Dove/Angelis’ Flight for Seattle Opera, a graphic novel opera film of Talbot/Scheer’s Everest with Opera Parallèle, and a feature length film of Gordon Getty’s opera Goodbye, Mr. Chips. Upcoming film projects include a documentary about the life of Frederica von Stade with Paper Wings Films, and Out of the Darkness, a dance film about Japanese incarceration camps in the United States during World War II. Staufenbiel recently directed Golijov/Hwang’s Ainadamar at L’Opéra de Montréal which will be reprised at Victoria Opera next season. Other upcoming directing engagements include Das Rheingold for Seattle Opera and Calgary Opera and The Shining for Atlanta opera. Photo Credit: Cory Weaver.

Clinton Smith*
Arranger, Pianist

Jessica Drayton
Lighting Designer/Projections Designer

Jay Cruz
Sound Designer
Creative Compass
Explore the poetry, music, and cultural touchstones that inspired Artistic Director Nicole Paiement to bring this work to the Opera Parallèle stage.
“Winston is a powerful composer, very versed in the Gullah Geeche culture. This is an oratorio engaging that speaks to the slavery in the NYC area and its connection to the Episcopal Church.”
“Like Victor, I love that these vocalists mix genres in their singing and make this mixture of styles “Their” Style. They are powerful singers.”
“A female composer we should all know!”
David W. Janey: Dancing Her Joy
My mom’s sister spoke
the Gullah Geechee cadence.
Her tongue swayed like hips on
an island gal working the kitchen
singing to herself dancing her joy.
Read More
My mom’s sister spoke
the Gullah Geechee cadence.
Not my mom though—
long story. But mom sure
had the sass
had the high cheekbones
had the salty sea island spray.
A second-generation product of
the great migration, I can only
imagine the low country
Saint Helena Island
Beaufort County
South Carolina
on my mind,
in my DNA.
My mom’s sister spoke
the Gullah Geechee cadence.
Sometimes the gist of it was
lost on me. It didn’t stop her from
seeing me, from smiling at me,
from loving on me. I was her
baby sister’s baby boy.
Nothing more to say.
My mom’s sister spoke
the Gullah Geechee cadence.
At my core I hear it still. The sing-
song in my bones. My longing for it
reaches back to the tomato red rice
that sustained generations of stolen
lives; Gullah lives, defiant in
dancing the cadence
of their joy.
Salt & SpiritBullhorn Events
October 2026
“I Heard the Angels Singing”: Listening to the Gullah Geechee People Who Inspired “The Carolina Low-Country” and “Porgy and Bess”
November 2026
Songs of Salt & Spirit: Exploring Gullah Spirituals
Stick Pounding: Rhythm of the Ancestors
Supporters
Stephen & Diane Heiman


