Opera Parallèle Summits With Everest – Michael Zwiebach, San Francisco Classical Voice 

‘Everest – A Graphic Novel Opera’ Review: Drawn From Life and Death – By Heidi Waleson, The Wall Street Journal

Opera Parallèle’s ‘Everest – A Graphic Novel Opera’ takes the form into unexplored territory – by Amelia Williams, Bay City News Foundation

Today It Rains (Mar 2019)

‘Today It Rains’ a powerful operatic journey with Georgia O’Keeffe – Joshua Kosman, San Francisco Chronicle

‘Today It Rains’, a Compelling Biographical Opera of Georgia O’Keeffe – Elsa Tranter, Classical Voice

Opera Parallèle brings Visual Art to the Stage – Lois Silverstein, Opera Wire

Striking Out for Santa Fe – Phillip Campbell, Bay Area Reporter

The Little Prince (Dec 2018)<>/h4>‘Little Prince’ in operatic form makes a perfect holiday treat – Joshua Kosman, San Francisco Chronicle

Opera Parallèle’s The Little Prince – Opera Tattler

In the Penal Colony (Sep 2018)

‘Little Prince’ in operatic form makes a perfect holiday treat – Joshua Kosman, San Francisco Chronicle

Opera Parallèle’s The Little Prince – Opera Tattler

At the Statue of Venus/Trouble in Tahiti (Feb 2018)

Two operatic tales of love and disappointment – Joshua Kosman, San Francisco Chronicle

All That SFJazz And Operatic Double-Bill – Elsa Tranter, Classical Voice

Trouble in Tahiti and At the Statue of Venus – Victor Cordell, ForAllEvents

Les Enfants Terribles (May 2017)

Opera Parallèle Mounts a Vivid, Multifold “Enfants” – Joshua Kosman, San Francisco Chronicle

Les Enfants Terribles – Georgia Rowe – Opera News

Opera Parallèle’s Les Enfants Terribles Triumphs – Lisa Hirsch, San Francisco Classical Voice

Les Enfants Terribles Aren’t So Terrible After All – Lois Silverstein, OperaWire

Les Enfants Terribles – Opera By Philip Glass – Victor Cordell, For All Events

Opera Parallèle Presents Glass/Cocteau Les Enfants Terribles – Michael McDonagh – Sequenza 21

Flight (Feb 2017)

“Flight unfastens your musical seatbelt”– Repeat Performances, Jaime Robles

“Flight – an Opera” – For All Performances, Victor Cordell

“OP Delivers a Timely Revival of Jonathan Dove’s Flight” – San Francisco Classical Voice, Ilana Walder-Biesanz

“Opera Parallèle’s Flight” – The Opera Tattler, Charliese Tiee

The Lighthouse (May 2016)

“Thrills and Chills at The Lighthouse” – San Francisco Classical Voice

“Wrapped fog lighthouse makes perfect music review” – Stark Insider

Champion (Feb 2016)

“Champion Fuses Jazz and Opera in Boxing” – San Francisco Chronicle

“Champion Delivers Emotional TKO” – San Francisco Classical Voice

“Inspired Portrayal of a gay Champion” – The Bay Area Reporter

Heart of Darkness (May 2015)

“A Shadowy Plunge into Heart of Darkness” – San Francisco Chronicle

“Opera Parallèle Shines a Light on Heart of Darkness” – San Francisco Classical Voice

“Singing the Heart of Darkness: Tarik O’Regan’s opera premieres in America” – Bachtrack

Dead Man Walking (Feb 2015)

“‘Dead Man Walking’ Review: Spare and Moving New Staging of Opera” – SFGATE

“Dead Man Walking returns to the Bay Area” – Bachtrack

“Opera Parallèle’s Dead Man Walking” – The Opera Tattler

Anya17 (Jun 2014)

“Anya17, SF” – Culture Venture

Mahagonny Songspiel and Les mamelles de Tirésias (Apr 2014)

“Weill/Poulenc Pairing a winning combo” – San Francisco Chronicle

“A Theater of Parallels at Opera Parallèle” – San Francisco Classical Voice

“Opera Parallèle Synthesizes Weill and Poulenc into an Uber-Narrative” – San Francisco Examiner

Trouble in Tahiti (Apr 2013)

“Trouble in Tahiti” Review: Bravo Bernstein – San Francisco Chronicle

Opera Paralléle wins again with “Trouble in Tahiti” – Stark Insider

Bernstein’s Trouble Is Our Joy (Review) – San Francisco Classical Voice

Ainadamar (Feb 2013)

‘Ainadamar’ review: Uncommonly vivacious – San Francisco Chronicle

“Ainadamar … Confidently Executed, Classy” – Mercury News

Riveting Reverie: Opera Parallèle’s Ainadamar – San Francisco Classical Voice

Opera Parallèle Presents Golijov’s Ainadamar – New Music Box

The Great Gatsby (Feb 2012)

Ensemble Parallèle’s The Great Gatsby: A Newly Accessible Opera About Striving for the American Dream – San Francisco Weekly

Ensemble Parallèle’s The Great Gatsby – Opera Tattler

Ensemble Parallele’s The Great Gatsby – San Francisco Civic Center

Harbison’s “The Great Gatsby” with Ensemble Parallèle – High Score New Music

Ensemble Parallèle Tackles Harbison’s Great Gatsby – New Music Box

Ensemble Parallele’s The Great Gatbsy – Opera Magazine

Orphée (Mar 2011)

Orphée: Spellbinding! – San Francisco Bay Times

Ensemble Parallèle wows the opera community – Stark Insider

Ensemble Parallèle: Small Company Stages Big Production – San Francisco Weekly

Ensemble Parallèle’s Orphée – Opera Tattler

The Triumph of Ensemble Parallèle’s Orphée – Civic Center

Two operas: Orphée, Nixon in China – The Eastside View

Wozzeck (January 2010)

Operatic Heaven From Hell – San Francisco Classical Voice

Opera review: Ensemble Parallèle’s ‘Wozzeck’ – San Francisco Chronicle

Wozzeck opera as film noir from San Francisco Conservatory of Music – San Francisco Examiner

Review of Ensemble Parallèle’s Wozzeck – Opera Tattler

The Reverberate Hills; or The Apotheosis of the Narwhal