Opera Parallèle – San Francisco Contemporary Opera

 What’s Happening at Opera Parallèle

Opera Parallèle GraphicOpera Project - Gesualdo - Prince of MadnessOpera Parallèle’s Graphic Opera Project
Gesualdo – Prince of Madness

The Opera Parallèle GraphicOpera Project is a lab in its first installment that has melded the genres of the Graphic Novel with Opera to create GraphicOpera. The music and text of Gesualdo, Prince of Madness has been interpreted by concept designer Brian Staufenbiel, illustrator Mark Simmons…

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Opera Parallele Raffle 2013

Support Opera Parallèle’s Raffle Drive 2013

Win a Trip for 2 to Montreal…and more.  The drawing will be held on June 7 at the San Francisco Conservatory of Music when Opera Parallèle presents a public workshop reading of the company’s first commission, Dante De Silva’sGesualdo, Prince of Madness.

 

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The Reviews Are In!

Trouble in Tahiti Review“Trouble in Tahiti” Review: Bravo Bernstein

On Friday night, in a vivacious and beautifully rendered performance by Opera Parallèle, that tale seemed as timeless as ever…. Long before “Mad Men” there was “Trouble in Tahiti,” Leonard Bernstein’s witty and haunting one-act opera about the alienation lurking…

 

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Trouble in Tahiti review

Opera Parallèle wins again with “Trouble in Tahiti” and “A Hand of Bridge”

The edgy intensity that Brancoveanu brought to Orphée two years ago has grown exponentially with the passage of time, bursting forth to bring an explosive Sam, priapically strutting the stage.

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Trouble in TahitiBernstein’s Trouble Is Our Joy (Review)

Opera Parallèle’s WONDERFUL  new production, is that it piles cliché upon cliché…. Opera Parallèle’s wife-husband team of Conductor/Artistic Director Nicole Paiement and Stage Director Brian Staufenbiel, and brought to life by an excellent cast and fine instrumental ensemble, Trouble in Tahiti shines…

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Ainadamar

Riveting Reverie: Opera Parallèle’s Ainadamar

Staufenbiel’s staging was powerfully focused in every scene. The director introduced an atmosphere of mourning even before the opera began, as chorus members, dressed in bloodstained gowns as brides, widows, and children, wandered through the lobby looking like lost souls.

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SF Chronicle Says 'Ainadamar' review: Uncommonly vivaciousAinadamar Review: Uncommonly vivacious

The remarkable thing about the latest offering from the ever-venturesome Opera Parallèle – a sumptuous and vividly sung production of Osvaldo Golijov’s “Ainadamar” that had a three-performance run over the weekend at…

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